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Elspeth Mitchell Abstract View article PDF "Scotch! Scotch! Scotch!": The Inoperative Domestic Scene in Chantal Akerman's Saute ma ville Eleanor Rowe-Stefanik Abstract View article PDF Art on Film at Finch College: Reproductive Labor in the Enrichment Economy Tim Ridlen Abstract View article PDF Gift or Weapon?

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Camera Obscura, A Journal of Feminism and Film Theory, n16 Jan 1988 This special issue brings together an editorial, six articles, and three book reviews that focus on the relationship between television and the female audience.

Duke University Press Public Culture

Current Issue Volume 38, Number 3 (114) December 1, 2023 View This Issue About the Journal Camera Obscura provides a forum for scholarship and debate on feminism, culture, and media studies.

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Camera Obscura Feminism, Culture, and Media Studies Camera Obscura provides a forum for scholarship and debate on feminism, culture, and media studies.

Feminism and Film Theory by Constance Penley

Journal Subscribers ; Librarians ; Prospective Journals ; Licensing and Subsidiary Rights ;. About Camera Obscura: Feminism, Culture, and Media Studies; Editorial Board; Advertising; Skip Nav Destination.. British Feminist Film Theory's Female Spectators: Presence and Absence. Camera Obscura 1 December 1989; 7 (2-3 (20-21)):.

Camera Obscura A Journal of Feminism and Film Theory 1 (Fall 1976) by Camera Obscura

Camera Obscura is a triannual peer-reviewed academic journal of feminism, culture, and media studies published by Duke University Press. It was established in 1976 [1] by four graduate students at the University of California, Berkeley: Janet Bergstrom, Sandy Flitterman, Elisabeth Lyon, and Constance Penley. [2]

CAMERA OBSCURA Hannes Woidich

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“Jackie Treehorn Treats Objects Like Women!” Two Types of Fetishism in The Big Lebowski

Camera Obscura turned thirty in 2006. The editors eschewed, or neglected, mark- ing twenty-five, a somewhat unformed age, in favor of the celebration of a mo- ment of remarkable potential - perhaps radical changeability, as Woolf, if not Freud, would have it.

"Collectivity Part 1," a special issue of Camera Obscura Camera obscura, Duke university

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Duke University Press Camera Obscura

and the Vertiginous History of Film Theory. Camera Obscura (2011) 25 (3 (75)): 101-141. Alfred Hitchcock's Vertigo is one of the most acclaimed films of all times, recognized by scores of critics, film theorists, and film historians as a pivotal work in both film history and film theory. By now, Vertigo is so deeply embedded in film theory.

Camera Obscura ; Journal of Feminism and Film Theory no 25 26 Jan / May 1991 Cover Cindy

SeriesCamera Obscura - A Journal of Feminism and Film Theory. 32 Works Popularity 101,212 (21 Members) 51 Books 0 Reviews.. Camera Obscura: A Journal of Feminism and Film Theory / 2: Number Two, Fall 1977 by Sandy and Lyon Janet and Flitterman Bergstrom, El; Camera Obscura, a Journal of Feminism and Film Theory / 6 by Camera Obsscura Collective;

Feminist Film Theory Feminism Ethnicity, Race & Gender

The Camera Obscura book series publishes cutting-edge feminist theoretical work on media and culture, extending the scope of Camera Obscura: Feminism, Culture, and Media Studies, the leading journal of feminism and film since 1976.

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A Journal of Feminism and Film Theory Camera Obscura is devoted to the critical study of the representation of women in film, popular culture and media, and the arts and provides up-to-date perspectives on the national and international film scene. EDITORS Julie D'Acci Elisabeth Lyon Constance Penley Sasha Torres Sharon Willis LIFETIME TELEVISION

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Journal Subscribers ; Librarians ; Prospective Journals ; Licensing and Subsidiary Rights ;. About Camera Obscura: Feminism, Culture, and Media Studies; Editorial Board; Advertising; Skip Nav Destination. Issues.. View article titled, Pretty: Film Theory, Aesthetics, and the History of the Troublesome Image. Open the PDF for in another.

Camera Obscura Collective Feminism and Film PDF PDF

Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions.